AWS outage
Oct. 20th, 2025 10:11 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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Edit: all services are running as of 16:12 CDT, but there is definitely still a backlog of notifications to get through.
Edit 2: and at 18:20 CDT everything's been running normally for about the last hour.
A whole lot of elements in this book hit my buttons perfectly. There is the alternate-history/near-future aspect, which centers on the interesting idea that the EU has not just fallen apart but splintered into dozens of tiny pocket states (and I have to say, there was a strange resonance to reading the bit about Scotland's explosive parting from the UK only a month after the real-world vote failed). There is the largely Eastern European setting, the Estonian and Polish and Hungarian characters, which read delightfully exotic to this American (though I wonder how it will read to my European friends!). The writing is strong, never getting in the way of the story but frequently delighting me with clever phrases and evocative images, exactly the style I love reading. And I adored the idea at the heart of the eventual reveal.I mostly still agree with this, though I now think the pacing works better for me, maybe because I missed some details before or failed to understand how a later section made use of information from an earlier one. Also - there was an offhand bit of building up the undergirdings of this near-future world, the why of Europe having splintered into micro-polities, involving a pandemic of the "Xian flu" which "had brought back quarantine checks and national borders as a means of controlling the spread of the disease..." and I was, holy shit, this was published in 2014. (This fictional pandemic was 10-20x more deadly than Covid-19, which was certainly bad enough.) Other contributors to European disunity were "Economic collapse, paranoia about asylum seekers – and, of course, GWOT, the ongoing Global War On Terror," and about there I started thinking damn, if it wasn't for the Great Uniter (of everyone else against him) this would be playing out right now...and maybe it will play out here, as the states attempt to sort themselves by political party.
But...there were problems. The pacing was a little odd, slow to get going, with scenes (or parts of scenes) that did not obviously contribute to the story. Some, granted, played a part later. But it didn't feel tight to me; yet at the same time, there were all these questions that were answered in oblique ways, or left hanging such that clearly the reader was supposed to connect invisible dots, which made me feel a bit too stupid for the clever author - not as bad as Ken MacLeod's books make me feel (and there were bits of this that were reminiscent of his The Execution Channel, but along those lines. And the cool reveal I mentioned above comes practically at the end of the book - but when I hit it, I felt, that is what I want the book to be about! Not all this preparation stuff! And there wasn't enough about the cool part!
I’ve been rereading Stephen King for comfort reasons, and I have a couple of observations. First, The Dead Zone—which posits political assassination as an actual solution to a potential presidential madman—hits a bit different these days. Second (and not unrelatedly), while I am happy enough to get the expanded version of The Stand, it was a huge mistake for King to try to change the setting from 1980 to 1990; random updated pop culture references can’t disguise the fact that America changed substantially in that decade, such that characters and settings that made sense in 1980 were no longer plausible in 1990. The teenaged, white Nick Andros would almost certainly not have used the word “Negro” to describe an old woman in 1990. The singer Larry Underwood would have different beliefs about music from the 70s, when he was a young child rather than a teen/early adult. From attitudes towards single mothers to how racism was expressed to the dumping practices of fabric mills, the revised version still reads like 1980, but with a mention of rap on the radio, and it’s not good.